The Saxon Might – Pre-Order


All is lost. The Gods decided to reward Wortimer and punish Ash, and the future of Britannia hangs in the balance.

In the darkness of a prison cell, through pain of torture, Ash tries to remember how everything has gone so terribly wrong. Wortimer defeated his father and conquered Londin. He took Rhedwyn into his chamber, and threw Ash into the deepest dungeon. His armies are rampaging throughout the province, killing Iutes and Saxons wherever they can find them. It seems nothing and nobody can stop the new Dux of Britons from fulfiling his mission to destroying the Iutes and cast all barbarians out of the island forever.


The Saxon Might is the concluding volume of the Song of Ash, a fast-paced, gripping historical fiction trilogy, perfect for fans of Bernard Cornwell’s “The Last Kingdom” series, Simon Scarrow, Matthew Harffy and Conn Iggulden.

The Finnis Britanniae saga will continue in the next trilogy, the Song of Octa.

The Saxon Spears – The Song of Ash, Book 1


Thirty years have passed since Britannia voted to throw off the Roman yoke. Now, the old world crumbles. Pirates roam the seas, bandits threaten the highways, and barbarian refugees land at Britannia’s shores, uninvited. The rich profit from the chaos, while the poor suffer. A new Dark Age is approaching – but all is not lost.

Ash is a Seaborn, a Saxon child found on the beach with nothing but a precious stone at his neck and a memory of a distant war from which his people have fled. Raised on the estate of a Briton nobleman, trained in warfare and ancient knowledge, he soon becomes embroiled in the machinations and intrigues at the court of Wortigern, the Dux of Londinium, a struggle that is about to determine the future of all Britannia.

A child of Saxon blood, an heir to Roman family, his is a destiny like no other: to forge a new world from the ruins of the old.

The Saxon Spears is the first volume of the Song of Ash saga, perfect for fans of Bernard Cornwell’s “The Last Kingdom” series, Simon Scarrow and Conn Iggulden.



2014 – The Year of the Quitter

A great summary of the 2014 in indie writing, by the ever-honest K.K.Rush.

It was a tough year for all of us in the business. I struggled through, but I have seen many fall around me. Kristine, quoting profusely from 2014 year summaries by other blogging writers (which all tell the same story), provides the most complete explanation for what has happened since last New Year’s I have yet read.


Writing is hard – Solitude and making things up is not for everyone.

Self-publishing is hard – If you don’t learn to love business, self-publishing can be a soul-sucking experience. 

Success is hard – Even major success—paid sales in the tens or hundreds of thousands—requires undreamed-of work. 

The gold rush has ended – You are not entitled to fame and riches just because you published a book. 

Read the rest at: Business Musings: Things Indie Writers Learned in 2014.

80 sites to advertise your book – update

I finally got around to updating my list of book advertising sites. Dead links were removed, and some more sites added. HTH!

James Calbraith

kindleThis is a list compiled from various online sources, most notably – Rachelle’s Window (go there and thank her! 🙂 she also lists Alexa rankings for the sites) and my own research. As of posting this on August 10th 2014, all the links below are working. Note that I can’t guarantee that the sites themselves are still working, that the forms lead anywhere, or that you will actually get anything for your money.

Majority of these sites advertise books when they’re free, as part of KDP Select or Smashword promo. If you want to advertise a paid book, you usually need to pay extra.

The spreadsheet behind this table is available here. If you think I’m missing something, let me know in the comments.

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Author Earnings: The Report (what everyone’s talking about)

Author Earnings: The Report (what everyone’s talking about)

This is the most important Report everyone in publishing is talking about. Based on the data gathered through trawling all of Amazon’s database, and complex calculations, a team of analysts fronted by Hugh Howey has finally reached their conclusions.

The report is long and detailed, but these are the main three takeaways:

  • e-Books are smashing paper books in sales, in every category where it’s fair to make the comparison. So, for example, while cookbooks, manuals and photo albums are still holding strong in paper, genre fiction on paper is as good as dead.
  • there’s a lot more indie writers being published, and read, than anyone (except indie writers and publishers themselves) ever suspected.
  • while earnings of the big publishers are still huge, when it comes to authors, indies score a lot more hard cash than traditionally published authors, not only in relative numbers but even in absolute.

The conclusion of the report is clear. Whether your book is dross or a work of genius, whether you’re a marketing guru or an introverted recluse, the decision to go the self-publishing route seems to be, increasingly, the only rational one.

When Indie met the establishment (guest post by Laxmi Hariharan)

Cut to twelve months ago—as a just born Indie, I listened to Kate Mosse (author of Labyrinth) talk about how she was not on Facebook, Twitter or any of those necessary evils, which help Indie authors like myself build a platform. On a panel discussion she made it very clear that she preferred not to have her peace of mind destroyed by social media chatter, in order to really focus inwards and write. Then, a fellow author confessed how she was beyond the point of being a social media junkie—she stayed connected even when she took her dog for a walk.

It was clear to me that as a writer and a marketer I needed to find the sweet spot somewhere between the two. I needed to become a spider—a black widow?— an arachnid who sat square in the centre of a 720 degree social network web, and controlled everything that went around me, not the other way around. It was about choice. I absolutely had the right to decide when I wanted to dip into the social media world and went I wanted to unplug. After all, isn’t that what being an Indie author was all about? Exercising your right to be read, to be seen and heard unadulterated by veils.

Just one of the many insights I gained from attending the Writing in a Digital Age conference, held by TLC. I will be back at the 2013 installment of the same, as part of the storytime sessions, talking about where I am twelve months on—wiser, more confident, and in the throes of completing Return to 7 Islands (#2, Bombay Chronicles.)

If you are wondering whether to go Indie or if you are already Indie and pondering what next, then this is where you want to be. You will get the chance to meet fellow Indies as well as published authors, publishers, and agents too (some of them are really nice too – I promise.)

Writing in a Digital Age 2013, June 7-8, London. Tickets on sale till June 6th.  Laxmi Hariharan is a content branding strategist and award winning author of epic fantasy. Find her at LAXMIwrites.

5 things I’ve learned from self-publishing

This was supposed to be a guest post for somewhere else, but due to mis-communication I’m now able to post it here for your viewing pleasure. I’ve kept the intro, because some of you might not read the “About Author” section of this website as often as I’d like you to 🙂

Gutenberg pressJames Calbraith is my pen and internet name – my Polish name is an unpronouncable jumble of consonants, so it’s for everyone’s benefit, really.
I write speculative fiction – fantasy and (sometimes) science-fiction. These last few years I’ve been immersed in the historical fantasy world of steampunk Japan, where my main series of novels is set.
I also travel a lot, eat a lot, and listen to a lot of really old music.
My inability to keep up any social presence is legendary, so if you feel like a challenge, you can follow me on G+, FB or Twitter – links above. 🙂


Modern self-publishing means that you’re on the mercy of the freelancers. All good freelancers are busy – and very good freelancers are very busy. No matter how much you will pay them, they are likely to forget about your book if you don’t pester them continuously.
Pestering people and institutions (that includes all sorts of Customer Support) was the first thing I had to learn. Being an introvertic with assertiveness problems, this was the hardest lesson, but a necessary one. Another was setting tight deadlines. At first I was playing loose with deadlines I set for my freelancers, hoping for their workmanship to do the rest, but it didn’t work – and I should have known, being a champion procrastinator myself. You need deadlines, and you need to be strict about them, or you’ll never get anywhere.


I was very succesful with my KDP Select results – seeing the sales soar mere months after my debut was really heartening – until I started getting the reviews back.
It is not just my opinion – that would be quite self-centered of me – but a common psychological rule that a free product is not a respected product. A customer is much more likely to trash something they haven’t made an effort to obtain, and vice versa: if they’ve spent money on something, they will try to rationalize the spending by any means possible.
It was one of the hardest lessons to take, and one the effects of which I’m still reeling from.

(incidentally, if you liked any of my books and still haven’t posted a review anywhere, I implore you to do so :))


I have spent a lot of time and money – way too much, in fact – on marketing, social presence, building readership, ads, etc.

None of it did anything for my sales in the long run. The only thing that mattered was whether Amazon wanted my book to sell or not. The mysterious, almost god-like in their omnipotence, algorithms of Amazon were able to raise my novels to dizzying heights and then cast them back into the shadow of oblivion virtually overnight, and nothing I tried (or didn’t try) to do had the slightest impact on what was going on.

Selling is all a game of big numbers. If 10,000 people see your book, a hundred may be tempted to buy it. If 100 people see it, nobody will buy it. And for someone like me, who always had problems reaching a mass audience on my own, only Amazon has the power to bring the necessary 10,000 people to my books – and then take them away in a blink.


As far as I can tell, there is no more distinction between indies and traditionally published books in the eyes of most readers and reviewers. You can still find reviewers who will announce publicly they don’t read indies – but I’ve discovered that a well presented package will be picked up: it’s just a ruse they implement not to have to pile through shoddily prepared selfie manuscripts.

The same goes for readers, for good and for bad. If the book looks “proper”, most people will not bother to look at the publisher’s label; they will buy it, read it – and review it just like any other book from a bookstore. This means all books are now held to the same professional standards, but also, sadly, means that experiments in publishing are not as welcome as they may have been before. The reader expects a real, “normal” book, with a beginning and an end, no matter whether it costs $.99 or $9.99.


The internet is filled with people giving good advice to anyone who asks. Almost none of it is useful. In case of publishing, it’s mostly easily repeatable trite about nothing, sold in increasingly attractive package (videos, infographics) which can be summed up as “do lots of obvious stuff”. (Yes, we all have our FB pages, our blogs, our Goodreads accounts, our professional covers and proofread manuscripts. Now what?) And it’s almost never backed up by actual success – because genuine success is a rare and elusive beast.

Judging by my author’s rank fluctuations on Amazon, I can tell there are less than 200 “successful” authors in my genre – and by that I mean writers who can make a decent income out of their sales. And that’s including everyone who’s ever published a book – out of tens of thousands. Even fewer of them decide to write about their success. And fewer still can point, with certainty and clarity, to what they did to get where they are. Why do some books sell better than others? Why are some artists effortlessly popular, while others toil for years in obscurity? It’s a secret as old as art and commerce, and no shouty infographic will solve it for you.

Cybermonday: Return to Kobo and KDP Select Summary


I think I’ve squeezed all I could from KDP Select for now.

I ran three different promos over the three months, with three different results (that’s a lot of threes!). Two days in September, two days in October and one day in November. The October one was the most successful by far, as I put the most effort into promoting it online. “The Shadow of Black Wings” reached number 1 in overall Fantasy on pretty much every Amazon store. My October sales were, as a result, more than double of the average.

The November one was a test of how well I can do with just my personal networks, on G+, Twitter and (to the lesser extent) FB. The downloads were about 10% of the October result. Looks like I still have some way to go in building an online presence… (although that said… 🙂

There are now over 10,000 (legal) copies of my book out there, on people’s Kindles – mostly in the US. That’s a big number, and it’s still producing results: my November sales are still better than September, even though not as many people are buying the first volume anymore. “The Shadow…” is proving a good loss lead: volumes 2 and 3 are selling well, which means people like the first book enough to invest a couple more bucks to read on. At any given day, either of the three books is on the best seller list for Alternate History – on a good day, all of them. I’d say that’s a good result for somebody who was a completely unknown writer until August this year.

Sales chart September-November. The big spike is after October’s KDP Select promotion.

But, the three months have passed and I decided not to renew the Select for a while. I’m still in the experimenting phase, and it’s time for another experiment – return to Kobo. (B&N’s PubIt is still not available for UK authors, and somehow I don’t trust Smashwords).

So, to celebrate my return to Kobo, and the new holiday of CYBER MONDAY (which, I guess, celebrates the coming of our robotic overlords?), “The Shadow of Black Wings” is HALF-PRICE FOR AN ENTIRE DAY, both on Amazon and on Kobo.

And while you read, don’t forget to check out all the extras for the books available on the website:

– Gallery
– Soundtrack Playlist
– Glossary of Characters
– Glossary of Terms
– History of the World
– “De Draconibus” Dragon Encyclopaedia