Thirty years have passed since Britannia voted to throw off the Roman yoke. Now, the old world crumbles. Pirates roam the seas, bandits threaten the highways, and barbarian refugees land at Britannia’s shores, uninvited. The rich profit from the chaos, while the poor suffer. A new Dark Age is approaching – but all is not lost.
Ash is a Seaborn, a Saxon child found on the beach with nothing but a precious stone at his neck and a memory of a distant war from which his people have fled. Raised on the estate of a Briton nobleman, trained in warfare and ancient knowledge, he soon becomes embroiled in the machinations and intrigues at the court of Wortigern, the Dux of Londinium, a struggle that is about to determine the future of all Britannia.
A child of Saxon blood, an heir to Roman family, his is a destiny like no other: to forge a new world from the ruins of the old.
The Saxon Spears is the first volume of the Song of Ash saga, perfect for fans of Bernard Cornwell’s “The Last Kingdom” series, Simon Scarrow and Conn Iggulden.
Yes, it’s finally here! After four long years, the story of one memorable year in Japan’s fictionalized history – and in a certain Welsh boy’s life – at last comes to an end in The Last Dragon King, Book 8 of The Year of the Dragon series. The Amazon preorder launches today – the full release on all platforms is scheduled for December 27th.
It all started in the summer of 2012 – though preceded by two years of writing and editing – with the simultaneous release of The Shadow of Black Wings and The Warrior’s Soul. Four years later I have eight finished books, over 700k words published (a lot more written!), nearly 30,000 copies sold, and, most importantly, an invaluable experience in writing and publishing that will hopefully make my next projects go a lot more smoothly! AND I’ve managed to tie up all the plot threads and lose points by the end – I bet you didn’t expect that! 🙂
It’s day 6 of the countdown – the pre-order launches tomorrow! Today, the final treat, is a sneak peak on the final cover of the series.
I know, you’ve seen the cover to The Last Dragon King already – but there’s still one more book left to release: the second of the two four-volume bundles,containing Books 5-8, with working title “The Serpent’s Head”.
As before, the cover will be produced by Collette J. Ellis of Flying Viper Illustrations. The release is still some time away – I have it scheduled for January, both in e-book and paperback, so what we have for you today is just a sneak peak of a preliminary sketch – but you can already see it’s going to be the most powerful of my covers to date!
Don’t forget – tomorrow is the launch of the pre-order, and the last of these countdown posts!
It’s day 5 of the countdown – only 3 days left until pre-order launch, and for today I reveal the final map in the series!
As you may know, I like to have a new map in each volume of the Year of the Dragon, and this time it’s no different. The map in The Last Dragon King is in a new style: a late-19th century tactical map. It shows the Dan-no-Ura Straits and surrounding area, in the day before the launch of the decisive Battle of Kokura – one of TWO major battles in the book! (did I mention this volume is more action packed than any before? 🙂
Visit tomorrow for the final reveal in the countdown, before the pre-order is launched on Wednesday!
It’s day 4 of the Preorder Countdown – we’re half-way there!
Today’s treat is the exclusive, never before seen, unedited sample of the Last Dragon King’s manuscript! A sample of Chapter 5, starring Captain Fabius of the Soembing.
SPOILERS ABOUND! PROCEED AT YOUR OWN RISK!
The ship’s boards creaked again. Captain Fabius winced at the sound. One hadn’t plied these waters for twenty years without recognizing when a vessel was close to shattering.
His first officer shared in his concern. With his head tilted towards the creaking, he notched a quick note in his journal.
“Are you sure we’re in the right place?” Fabius asked, for the fourth time.
“Either that, or our navigator’s lost her mind,” the first officer replied, for the fourth time.
Another wave, crested with thick white foam, struck against the ship’s bow with an unearthly wail. Hemmed in between the walls of the grey and black clouds, surrounded by whirlpools, water devils and water spouts, the Soembing stood reluctant against the dark wall of the Sea Maze stretching before it. Its engines purred quietly, just enough to maintain the course – whatever the course was in this forsaken place. Fabius insisted on them running all the time, even if the ship hadn’t changed position for three days, as they waited either for the navigator to correct her mistake, or, by some miracle, the wall of black clouds to open and allow them inside, as it always had, for the past two decades.
“With all due respect, Captain,” the First said, looking at his notes, “I think it’s fair to say they don’t want us back.”
“If we turn to Huating, we won’t get any pay for our trouble.”
“If we move forward, we won’t get any pay ever again,” replied the First, his face soured.
“Let’s stay a while more. I have a good feeling about today.”
“Really?” The First raised his eyebrow, then glanced at the Sea Maze. “I’m surprised you’re able to have any good feelings around this place.”
Fabius nodded in agreement and forced a smile. He knew what the First meant. For twenty years he’d sailed the Ship – in its various incarnations – across the “Divine Winds”, as the locals called them, and he’d never got used to it. The magic of the East always unnerved him with its alien ways, but this was something else altogether. On his first journey, he had been naturally wary of the random storms, the unpredictable currents, the insanity of the compass readings and star charts – all the things the more experienced sailors had warned him about before setting off. But he’d soon learned all of that was just a minor nuisance compared to the real terror of the Maze: the wailing.
The clouds wailed and howled all through the night. Not the usual howl of a winter wind in the ropes – but a sound that could only be produced by a horde of tormented souls: a piercing cry of anguish, wordless but full of meaning, coming from a thousand suffering throats hidden somewhere in the black clouds. There was no hiding from it: it penetrated into the deepest cabin, into the cargo hold and engine room, through cotton wool and hands covering one’s ears, almost as if it wasn’t coming through the ear canals but entered straight through the brain.
What nameless Spirits had been tortured to create this monstrosity, Fabius dared not imagine. But it suited what he’d suspected about the Yamato magic in general: abuse of souls, forbidding them from passing beyond the veil of the mortal world to do the bidding of the priests and the shamans. They thought they managed to keep this a secret from the Westerners, but Fabius had heard enough rumours and gossip over the years to piece together the truth.
He stared at the cloud wall. What’s going on beyond it? The control of the Maze belonged to the government at Edo. Every year, the Dejima Oppertovenaar received an envelope from Edo with coordinates of the secret path leading towards the Kiyō Bay, sealed with the Taikun’s crest. The path was different each year – but it should have stayed unchanged until the next summer. Of course, that was before the civil war erupted in Chinzei, before the Gorllewin landed in Shimoda, before the Soembing was sent out to buy Dracalish weapons for a Yamato warlord… Had the rebels won without them, but didn’t know how to control the Divine Winds? Or was Edo in such chaos that nobody bothered to pay attention to keeping the path open?
First was right to be concerned. But Fabius couldn’t help feeling the wind would soon change. Maybe it was something in the wailing coming from the wall of clouds – a quality he sensed, rather than heard. Or maybe he was just being stubbornly optimistic for no reason at all.
“You’re right, it’s hopeless,” he said. “Tell Verle to plan a course for Temasek.”
He heard his men cry out in distress. He turned just in time to see a giant black wave break over the deck.
It’s day two of the Amazon Pre-Order Countdown – and today’s treat is the best yet: I’m giving away a FREEcopy of the Year of the Dragon bundle IN PAPERBACK – worth $20!
Just click here to enter the Amazon Giveaway. You must be located in the US, I’m afraid – I don’t set the rules… This is a proper, thick book – 830 pages, with the beautiful cover by Collette J. Ellis of Flying Viper Illustrations, who also drew the cover for the upcoming Volume 8, so it will look great on any bookshelf!
The giveaway lasts for this whole week – make sure to notify your friends about the chance to win this beautiful FREE book!
In seven days, the eighth and final installment of the Year of the Dragon saga will be available for preorder, exclusively on Amazon! The story is about to reach its conclusion – and you might be among the first to find out how!
To celebrate, every day for a week I’ll have a little treat for you, so keep coming to see what’s going on – better yet, subscribe to this blog or add me on twitter for updates. Today it’s simple: The Year of the Dragon Books 1-4 bundle is for $0.99 on Amazon.com only for the whole week – probably for the last time ever! This might be your LAST CHANCE to get it for this super-low price!
About a week ago, I noticed a new chart on my daily sales report on KDP: Paperback. Turns out, Amazon decided to cannibalize its own print-on-demand branch, CreateSpace, and offer KDP authors an option to drop their books to paper straight from the KDP dashboard.
For the moment, there is little incentive to do so on books that are already printed via CreateSpace. The options are limited – there is no Alternative Distribution, no free copies. The pricing – as you can see below – is identical to CS. The service is very much in beta. So for the sake of testing, I chose to paper-ize my haiku booklet, as there’s no chance of my experiment harming its sales 🙂
Starting out, the interface is a combination of KDP aesthetics and CreateSpace options. You’ve got your usual setup, already filled in with information from the ebook version. If you have the ebook all set up, there’s nothing for you to do here other than approve and click Save and Continue.
If you have the book already as paperback in CS, this screen is where you let Amazon know about it so they can automatically import all the paperback settings for you – although, as I said, at the moment there’s no incentive to do that.
On the next page, if you haven’t imported CS settings, you’ll get a bunch of options to choose from. As far as I can tell, these all cost the same in print, except the difference in color and black & white. Here’s more pricing information from the help page – looks identical to CS prices.
NB, at the top of the second page you can assign your own ISBN, or let Amazon assign it for you.
From the second page, you can launch the Cover Creator if you don’t want to create the cover yourself. Again, standard CreateSpace fare. The selection of layouts and colors is limited – I certainly would advise creating your own image if cover quality is important for you. There are a few bugs here, too – for example, only on the second time I launched the creator did it tell me that the book is too narrow for the spine text – after I’ve already previewed and approved the book to print. I’m not sure what the final product of this would look like, and it’s a pity I wasn’t told beforehand, especially considering Amazon doesn’t offer free author copies like CS.
This is the screen you get after uploading the content PDF and cover, and approving everything to get to the next stage. For me this took a long time, even though the booklet is tiny.
The editor found one major problem: the content PDF didn’t fit the print size. This threw me off a bit, since all I did was save doc as PDF from Word, without changing anything – I guess Word took my printer settings for PDF? Anyway, the editor fixed the scaling with a push of a button, and the rest of problems were not critical to the quality of the book (mostly having to do with DPI of images and embedding of fonts, neither of which was important for this experiment).
The final page, as always, is the pricing. I thought the prices were better than CS at first, but no, CreateSpace offers exactly the same prices and royalties for its main distribution channel.
Weirdly, Amazon is unable to automatically link the paperback and ebook versions, despite them both coming from the same source; same problem as on CreateSpace, but you’d think they fixed it for their in-house solution. I hope it’s just a matter of time, or of the service being in beta, otherwise it’s going to be a bit of a pain. If the two versions do get linked eventually, I’ll update this post to let you know.
So there you have it – the KDP paperback. The setup is easy, especially if you’ve already did some work for CreateSpace version. If you only care about selling paperbacks on Amazon, this is a valid option – but you get that from CreateSpace anyway, and you miss out on Extended Distribution. Amazon promises to add that, as well as proof and author copies, eventually – and once they do that, I guess KDP will replace CS as the go-to paperback solution, but for now that seems a long way away.