The Secret Anatomy of KDP Select


KDP-Select_smallI’ve mentioned before the all-powerful shadow of Amazon algorithms, looming nigh incomprehensibly over any publishing endeavour. That this was not just a great hyperbole, I hope to show in this post, using the experience of four consecutive KDP Select promos in as many months.

1. What’s the Deal?

First, a bit of a background. If you’ve never tried to self-publish with Amazon’s KDP, you may not be aware of the Select program. It’s a program of exclusivity with Amazon’s platform; for 90 days you may not distribute your e-book in any other way. In exchange, your book can be borrowed for free by users of Amazon Prime (which grants a sometime hefty additional income, if you’re lucky) but more importantly, you get 5 days to give your book away for free.

Why would you want to give the work of your life for free? Well, because that’s the best possible way to game Amazon’s algorithms. “Game” is a harsh word here – “utilize” is better, since Amazon seems to have deliberately built their system around Select.

In fact, if you believe hearsay (and there is no other data than hearsay here. No company would ever divulge anything about their search algorithm) Amazon realized Select has too great a power over its market and worked to stem its influence a little. If you read self-publishing blogs from two, three, four quarters 😉 ago, a common theme is the reducing effectiveness of Select promos year after year. Perhaps we will see the last throes of the system this year – or perhaps not. Either way, contrary to what many authors report, the promo still works. It just doesn’t work miracles.

Select Chart 1
Sales by day since September 2012. Stars indicate promo days.
2. The Books Have to Move

I used to work in a brick&mortar bookstore many years ago. One of the first rules I’ve learned is that books have to move around. Even the greatest best-seller must one day be removed from the prime slot, to make way for a newcomer. There are many reasons for it, but the rule is sound, and all good stores use it. Somebody recently explained it in a perfect way – I can’t remember the source of the quote, please comment if you know:

“If you have a book like the Lord of the Rings, which will always sell 20 copies a day no matter what, and a new book which might sell 15 copies a day, there’s no point in keeping the Lord of the Rings on the best-seller display. You move it to the back, and let the readers discover the new book, instead.”

This is what Amazon’s algorithms do: they change the discoverability of the books around. They are the equivalent of the bookstore clerk. And just like the bookstore clerk needs to be told what books to put on which shelf, so do the algorithms need to learn about your book. This is where KDP Select comes in. A successful promo tells the algorithm: “this book has potential. Put it on display instead of that other one. Let the people see it.”

Select Chart 2
Cumulative Sales by Day. Stars indicate promo days.
3. What is a “Successful” KDP Promo?

Let me tell you first what a not successful one looks like. You will notice in the charts that my third promo – third star – had almost no impact on the sales. This was my benchmark: a giveaway lasting only one day, one that I almost didn’t mention anywhere on the social networks, and didn’t buy any ads for, just let it run its course. It was an abject failure, by any measure.

A successful giveaway must count in thousands. Three thousand is a good start. Ten thousand is better. Breaking into the best seller charts for free books is a must; breaking into Top 10 in your genre is great; breaking into Top 100 total is a guarantee of a long-lasting success.

As you can see from the charts, each giveaway resulted in bigger spike in sales than the previous one. But also, each time I gave away more books than the last time. But there is something else you can read from the charts, something that’s very interesting and tells you a lot about the power of the algorithm:

Regardless of how big the initial spike was, each bump eventually drops down to pre-spike levels. And fast.

selectchart_3
Sales by Week since September 2012
4. We Know Major Tom’s a Junkie

The drops in sales are automatic, regular, unstoppable and easy to predict after a while. Once the algorithm asserts that your time in the spotlight is up, that’s it. The sales can halve overnight, without any apparent reason. And because your success was too quick to build any loyal following (see below) it eventually fizzles out without a trace.

This is a brilliant strategy – for Amazon. The Select quickly becomes addictive. The spike in sales is like a heroin rush, and the drop is like a withdrawal downer – with the promise of another rush as soon as you succumb to another exclusivity period. And of course, the strategy would not work if the program wasn’t so damn effective.

It’s all in the scale. The algorithm shows your book to millions of readers; there is no ad that reaches more people, no social network campaign. And yes, most of them will not be interested in it; others will just download it for the heck of it, and never read it. But a tiny percentage here equals a whole lot of people.  And as this last chart shows, this tiny percentage of readers will likely move on to your next book, and then the next; and the algorithms will pick up your other books and present them to other readers, and so on – the wheel will keep turning, slower and slower, until it grinds to a halt eventually, unless you go for another promo. But before it does, you will have sold more books than you could have imagined.

selectchart_4
Sales of “The Year of the Dragon” saga, by volume. Volume 1 is the only one that’s ever been in KDP Select.
5. So What’s the Bad News?

So I suppose the only question that remains is: what are the negatives of using KDP Select?

There is one distinct disadvantage of this system. It misses the target. If your book’s demographics is broad enough, this may not be a problem; then again, if it’s broad enough, you may not need to use Select at all: your book is likely to sell on its own merit. 

But if you had a specific target in mind, then using Select is the equivalent of trying to shoot at ants with a double-barreled shotgun. Sure, you will hit a few people you wanted to read your book, but in the process you will reach hundreds who couldn’t care less about what you wrote.

If you want to build a loyal following, if you want to reach fans, Select is not the way. You have to do it slowly, in the old-fashioned style.

PS: There are at least two other ways to do what Select does, without exclusivity: use your friends and fans to “bum-rush” the charts, or pay for an expensive ad on one of the few remaining sites that reach thousands of eager readers. I haven’t tried any of these methods yet, but I’ve seen both of them work well.

All the above caveats remain, however: a flash-in-the-pan success is never a good way to build a stable following. It may only serve as a foundation for the real hard work.

You can trace the success of my last Select promo yourself, as between February 4th and 6th “The Shadow of Black Wings” is once again FREE on Amazon.

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UK top singles of the 80s


This is just a little something I did to get my mind off all the writing stuff for a while. 10 playlists for 10 years of UK top chart singles.

Or, as I like to call it, the chronicle of steady descent of music quality 🙂 We start with Blondie, Jam and Police. By the time it gets to 1989 it’s obvious the British public just gave up. Three top singles of 1989 were by Jive Bunny fer chris’sakes. We desperately needed Nirvana.

1980: Three hits by Blondie; Specials; Jam; Police. Quality stuff. The last hits of ABBA.

1981: Lennon dies in December 80, dominates the charts for two months. Ultravox Vienna is held off number 1 by Shaddap Your Face. Human League saves the year’s honour by trumping Julio Iglesias.

1982: Come on Eileen smashes the records. Kraftwerk. Town Called Malice. Movie songs begin to overtake the charts.

1983: The first unashamedly all-pop chart of the decade. The heaviest song is Billy Jean… by the end of the year the fad for soft, inane reggae seems to addle everyone’s minds.

1984: The year of Frankie Goes to Hollywood. Total dominance: 15 weeks for three songs. Hello and I Just Called To Say I Love You. The year ends with *shudder* Band Aid, foreboding the things to come.

1985: The charts are all over the place, as if Band Aid just exploded throwing shrapnel of sugary pap everywhere. And not a good song in sight.

1986: A bit of respite: some rocky pop from A-Ha, Pet Shop Boys, George Michael goes adult and writes a decent tune. Final Countdown makes everyone bang their heads for the last time.

1987: This is when we were all rickrolled. Very few memorable songs, but those that were memorable stayed with us forever, unfortunately: La Bamba, I wanna dance with somebody…

1988: It’s dancehall all around; nothing here that couldn’t be played in a disco. Stock, Aitken & Waterman expand their Empire of Crap. What’s Enya doing in all this, we will never know.

1989: Annus Horribilis. When Simple Minds is the ‘edgiest’ band of the year, you know you got it bad. Three hit singles from Jive Bunny. Three more from Jason & Kylie. To sum it all up, another Band Aid – one that was so obscure I couldn’t even find it on Spotify. All this from a nation which had Bohemian Rhapsody as No. 1 for 9 straight weeks in 1975… 

Although to be fair, the 1970s No 1s were pretty crappy as well. It seems 1979-1981 were the only decent years for the UK charts.

KDP Select – a week later. The price of one’s soul.


It’s been a week since my free promotion. And what a week it’s been! It’s time for the first summary of my life after KDP Select.

HIGHLIGHTS:

  • Thousands of free units downloaded over two days
  • #1 on UK Historical Fantasy Free Best Seller list
  • #1 on US Historical Fantasy Free Best Seller list
  • #2 on US Young Adult Free Best Seller list (only kept off the first place by Artemis Fowl)
  • #5 on US Fantasy Free Best Seller list
  • #112 on US Free Best Seller list overall
  • Sold more books in two days than in an entire month previous
  • #47 on US Historical Fantasy Paid Best Seller list
  • #17 on UK Historical Fantasy Paid Best Seller list
  • A full week on paid Best Seller lists

More detailed summary (with charts!) :

Continue reading “KDP Select – a week later. The price of one’s soul.”